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Well friends, we're within 2 months of Top 10 season, and I decided there was no time like the present to revisit what I submitted for 2008 and see how everything holds up. Was I astute? Pretentious? Drunk? Let's find out...
10. The Tallest Man on Earth- Shallow Grave
I discovered this days before making my list (props to Quinapalus) and impulsively put it on my list based on lust alone. Well, I still like it, but the lust has worn off. Great guitar/banjo playing and the best pseudo-Bob Dylan persona Sweden could ever hope to produce, but ultimately most of the songs sound the same. Verdict: CUT
9. The Week That Was- The Week That Was
Another record I learned about via a fellow kittybrain. This time it was Tex Plush. This album has aged strangely for me. It has my single favorite song of 2008, "Scratch the Surface," but this album is no longer my 9th favorite of last year. Verdict: CUT
8. Vampire Weekend- Vampire Weekend
I still don't understand what business I have liking this band, given their hype and cutesy songs about summering in the Vineyard. They also rip off Paul Simon. But they do all this stuff so well! Still, 10+ months later, they don't hold up as #8. Verdict: CUT
7. Wye Oak- If Children
Loved this record, which I discovered randomly on eMusic. (Anyone still a member?) They quickly released a follow-up, and that one is in contention for this year's list. It sounds a lot like this one, but that's a good thing. Verdict: KEEP
6. Sun Kil Moon- April
This one holds up well. I haven't listened to it as much as I'd like to, but when I put it on, the songs nonetheless sound immediate and familiar. And I'm certain I haven't even played it 10 times. Not the zenith of Kozelek's career, but very good and was still among the best I actually heard last year. That said, I've since heard more stuff from last year... Verdict: CUT
5. Bon Iver- For Emma, Forever Ago
This record is still really good, although I think half of its merit lies in its last song alone. To clarify, however, that last song is amazing. Verdict: KEEP, but drop further down the list.
4. REM- Accelerate
Not top-tier REM, but easily in their second tier along with Life's Rich Pageant and Out of Time. And as their "hard rock" albums go, it's superior to Monster, (which itself is underrated.) Verdict: KEEP but drop further down.
3. Bob Dylan- Tell Tale Signs: The Bootleg Series Vol. 8
Someday Baby, Dreamin' of You, God Knows, Series of Dreams and the live version of Ring Them Bells have haunted me all year. It compensates for his merely pretty good new album plus the bizarro Christmas disc he just put out. This record has really held up. Verdict: KEEP and move up.
2. School of Language- Sea From Shore
Still the discovery of last year for me. Again, thank you eMusic. A totally random find and a great one! Verdict: KEEP
1. Guns N' Roses- Chinese Democracy
At the risk of pulling a Jay Bennett, I'm going to quote myself here: "Out of 14 songs, it had zero duds, 2 tracks that didn't hold up (Scraped and Sorry), 2 tracks that were interesting but overwrought (Madagascar and This I Love) and 10 fucking amazing songs that are going to join Axl Rose's canon. Yes, he is a ridiculous individual who screwed himself over by refusing to publicly promote the album, but he's a very gifted musician. Time will be kind to this record."
I stand by that review. Verdict: KEEP
So what got left off? I had given honorable mentions to Deerhunter, Deerhoof, American Music Club, the Hold Steady, Shearwater, Drive-By Truckers, Andrew Bird (Soldier On EP), Gutter Twins, Bonnie "Prince" Billy, Isobel Campbell & Mark Lanegan, Stephen Malkmus & the Jicks. I also never heard Sea and Cake, Pavement (Brighten the Corners reissue), Calexico, Ryan Adams, TV on the Radio, the Roots and Dr. Dog.
Since 4 slots opened up on my list, I get to pick replacements from this list (because I said so) and the first 3 are Sea and Cake, Dr. Dog, and TV on the Radio. I hadn't heard any of these when I made my list last year, and I feel the desire to edit to reflect their greatness.
The last record I'll add is Bonnie "Prince" Billy's Lie Down in the Light, which didn't affect me the way it did Tex and others, but it has held up well during 2009. And Beware, which really feels like a companion piece, is definitely in contention for this year's list.
So, with that said, here is my revised list:
10. Dr. Dog- Fate
9. Wye Oak- If Children
8. Bon Iver- For Emma, Forever Ago
7. Sea and Cake- Car Alarm
6. Bonnie "Prince" Billy- Lie Down in the Light
5. REM- Accelerate
4. TV on the Radio- Dear Science
3. School of Language- Sea From Shore
2. Bob Dylan- Tell Tale Signs
1. Guns N' Roses- Chinese Democracy
Top honorable mentions to Sun Kil Moon and Stephen Malkmus (whose album has also held up well over the past year).
Showing posts with label Sun Kil Moon. Show all posts
Showing posts with label Sun Kil Moon. Show all posts
Tuesday, November 10, 2009
Monday, December 29, 2008
Tex Plush's Top 13 of 2008
13. The Broken West - Now or Heaven
The hooks are plentiful, the songs are well-written, and the beats ride that nice line between electronic and acoustic underneath up-tempo jangly guitar-pop. Though my frustration with the quality of writing in the AV Club continues, this was one recommendation they made in 2008 that I am grateful for.
http://www.myspace.com/thebrokenwest
12. The Sea and Cake - Car Alarm
Listening to TSAC to me is in some ways like The Band - I can focus on any one player in the mix and have a revelatory listening experience, yet they all come together into a totally unique blend. You already know if you like this band. If you do, don't miss this record.
11. Dr. Dog - Fate
Their vocal harmonies in concert are fucking outstanding. I see big things for these guys if they keep on their current trajectory.
10. Sun Kil Moon - April
If you've tried to be a fan of Mark Kozelek in the past and it never worked out, don't listen to this album. If you've ever loved a Red House Painters album or a Sun Kil Moon record, April is up there with the best of them. It definitely feels more to me like old school RHP with all its sprawl, rather than the more efficient sensibilities of Ghosts Of The Great Highway. But as long as you're not in a hurry, the hypnotic tension Kozelek builds during his verses always pays off when he unexpectedly hits the chorus. And when those electrics finally chime in - never has a three guitar attack been so soothing and mind-bending at the same time.
9. Erykah Badu - New Amerykah Vol. 1 (World War 4)
8. Blitzen Trapper - Furr
7. Randy Newman - Harps and Angels
No artist makes me laugh out loud the way Randy Newman does. He is STILL at the top of his game. This record was sorely overlooked this year by the establishment.
Favorite line: "You know, it pisses me off that the Supreme Courts gonna out live me. Couple young Italian fellows and a brother on the court now too. But I defy you, anywhere in the world to find me two Italians as tight assed as the the two Italians we got. And as for the brother, well, Pluto's not a planet any more neither."
6. Mates of State - Rearrange Us
Their most mature, best sounding, most diversely orchestrated album to date. Though it drops off a little in the 2nd half, it's the catchiest, sweetest and most optimistic pop record of the year. I've never been a huge fan of these guys, but this time they hit it out of the park.
5. Lil' Wayne - Tha Carter III
I've never listened to a hip hop album as much as I listened to Tha Carter III. His voice and flow is one of a kind and I never get tired of hearing it, specially sandwiched btw the hottest R and B hooks this side of R. Kelly. Funny thing, I have a feeling that Q and I have completely different favorite tracks on this disc....
4. Guns N' Roses - Chinese Democracy
3. Bob Dylan - Tell Tale Signs
2. Bon Iver - To Emma, Forever Ago
In hindsight, I guess I'm not surprised that no one really responded when I posted a track from this album a while back. It definitely requires a certain mood to be appreciated, maybe even a certain kind of weather or a particular time of night or early morning. I'm a little bit fascinated by the way some albums have stories connected to them that become part of their mystique and can help communicate that particular atmosphere they need in order to be appreciated. Yes, such stories also serve as marketing, and I guess that is the other part of me that likes them- the part of me that appreciates shrewd business sense. For Emma is a perfect example of how one of those stories dovetails with an albums mood: Justin Vernon's band broke up. His relationship ended too. So he retreated to an isolated cabin in the Wisconsin woods for a long, lonely winter, and he produced this album. He ended the winter with what he thought was a decent demo. What he actually came out of the woods with was the most beautiful sounding record of the year. The emotion just drips from the speakers.
1. Bonnie "Prince" Billy - Lie Down In The Light
After a string of records that sounded like the work of a warmed-over corpse, Will Oldham got his groove back in the year 2008. No matter when I put this album on this year, it never failed to make me feel more connected to myself, to nature, to my family, to my girlfriend, to life and to death. That's a motherfucking tall order, if you ask me. This album is so meaningful and earnest, yet never heavy and it retains a loose, communal back porch jam feel throughout. I'm tempted to give all the credit to Mark Nevers, whose production is a revelation for Oldham's music. The instruments breath in space, and on almost every track there are new, surprising, yet perfect instrumental additions, whether it be a honky tonk piano, a clarinet, a chorus of horns or a hammond organ. No Bonnie "Prince" Billy album has felt this alive in years, and none have EVER felt this joyful. Oldham is actually singing his heart out and it is just gorgeous. In a year of transition and stress, Lie Down In The Light was just what I needed.
The hooks are plentiful, the songs are well-written, and the beats ride that nice line between electronic and acoustic underneath up-tempo jangly guitar-pop. Though my frustration with the quality of writing in the AV Club continues, this was one recommendation they made in 2008 that I am grateful for.
http://www.myspace.com/thebrokenwest
12. The Sea and Cake - Car Alarm
Listening to TSAC to me is in some ways like The Band - I can focus on any one player in the mix and have a revelatory listening experience, yet they all come together into a totally unique blend. You already know if you like this band. If you do, don't miss this record.
11. Dr. Dog - Fate
Their vocal harmonies in concert are fucking outstanding. I see big things for these guys if they keep on their current trajectory.
10. Sun Kil Moon - April
If you've tried to be a fan of Mark Kozelek in the past and it never worked out, don't listen to this album. If you've ever loved a Red House Painters album or a Sun Kil Moon record, April is up there with the best of them. It definitely feels more to me like old school RHP with all its sprawl, rather than the more efficient sensibilities of Ghosts Of The Great Highway. But as long as you're not in a hurry, the hypnotic tension Kozelek builds during his verses always pays off when he unexpectedly hits the chorus. And when those electrics finally chime in - never has a three guitar attack been so soothing and mind-bending at the same time.
9. Erykah Badu - New Amerykah Vol. 1 (World War 4)
8. Blitzen Trapper - Furr
7. Randy Newman - Harps and Angels
No artist makes me laugh out loud the way Randy Newman does. He is STILL at the top of his game. This record was sorely overlooked this year by the establishment.
Favorite line: "You know, it pisses me off that the Supreme Courts gonna out live me. Couple young Italian fellows and a brother on the court now too. But I defy you, anywhere in the world to find me two Italians as tight assed as the the two Italians we got. And as for the brother, well, Pluto's not a planet any more neither."
6. Mates of State - Rearrange Us
Their most mature, best sounding, most diversely orchestrated album to date. Though it drops off a little in the 2nd half, it's the catchiest, sweetest and most optimistic pop record of the year. I've never been a huge fan of these guys, but this time they hit it out of the park.
5. Lil' Wayne - Tha Carter III
I've never listened to a hip hop album as much as I listened to Tha Carter III. His voice and flow is one of a kind and I never get tired of hearing it, specially sandwiched btw the hottest R and B hooks this side of R. Kelly. Funny thing, I have a feeling that Q and I have completely different favorite tracks on this disc....
4. Guns N' Roses - Chinese Democracy
3. Bob Dylan - Tell Tale Signs
2. Bon Iver - To Emma, Forever Ago
In hindsight, I guess I'm not surprised that no one really responded when I posted a track from this album a while back. It definitely requires a certain mood to be appreciated, maybe even a certain kind of weather or a particular time of night or early morning. I'm a little bit fascinated by the way some albums have stories connected to them that become part of their mystique and can help communicate that particular atmosphere they need in order to be appreciated. Yes, such stories also serve as marketing, and I guess that is the other part of me that likes them- the part of me that appreciates shrewd business sense. For Emma is a perfect example of how one of those stories dovetails with an albums mood: Justin Vernon's band broke up. His relationship ended too. So he retreated to an isolated cabin in the Wisconsin woods for a long, lonely winter, and he produced this album. He ended the winter with what he thought was a decent demo. What he actually came out of the woods with was the most beautiful sounding record of the year. The emotion just drips from the speakers.
1. Bonnie "Prince" Billy - Lie Down In The Light
After a string of records that sounded like the work of a warmed-over corpse, Will Oldham got his groove back in the year 2008. No matter when I put this album on this year, it never failed to make me feel more connected to myself, to nature, to my family, to my girlfriend, to life and to death. That's a motherfucking tall order, if you ask me. This album is so meaningful and earnest, yet never heavy and it retains a loose, communal back porch jam feel throughout. I'm tempted to give all the credit to Mark Nevers, whose production is a revelation for Oldham's music. The instruments breath in space, and on almost every track there are new, surprising, yet perfect instrumental additions, whether it be a honky tonk piano, a clarinet, a chorus of horns or a hammond organ. No Bonnie "Prince" Billy album has felt this alive in years, and none have EVER felt this joyful. Oldham is actually singing his heart out and it is just gorgeous. In a year of transition and stress, Lie Down In The Light was just what I needed.
Saturday, December 27, 2008
Drischord's Top 10 Albums of 2008
A Merry Christmas, Hanukkah and Festivus to the entire Kittybrains Collective, our loyal readers and of course, the Web Sheriff. I give you my Top 10 albums of 2008-- a year that wasn't as jam-packed with awesomeness as 2007, but certainly had enough to make a Top 10 difficult.
10. The Tallest Man on Earth- Shallow Grave
Thanks to Quinapalus for weeding through Pitchfork's annual paean to pasty white guys playing rave music to dig out their review of this. I love this record. I love the guitar playing, the lyrics, his off-kilter voice and the fact that he's from Sweden.
9. The Week That Was- The Week That Was
Thanks to Tex Plush for alerting the collective to this record. Thanks to Field Music for a) being pretty darn good in and of itself and b) spawning side projects that are even better than the main band.
8. Vampire Weekend- Vampire Weekend
God I want to hate this band. In terms of background and hype, they basically are the Strokes. But in terms of talent, they're so much better. Yes, I do hear the Paul Simon-isms. But I think they're limited to only a few songs, and frankly there's a lot of Afro-pop that they touch on that Paul Simon missed. They also are one of the few indie acts to use string instruments in a way that doesn't reek of total dilletante-ism. I'll give points to anyone who gets more out of major scale than their cellist. This debut isn't perfect, but damn if it isn't promising.
7. Wye Oak- If Children
I can't understand why this record was ignored by critics this year. Goes to show that good PR can take you a lot farther than good music. If you want an album that better combines delicate beauty and dissonant guitar/drum fuzz-outs, you'll have to settle for Yo La Tengo. (Only Yo La Tengo doesn't really sound like these guys. So you'll just have to get this record.)
6. Sun Kil Moon- April
Mark Kozelek has gotten so good at what he does, sometimes we don't give him enough credit for solidly connecting every time. This isn't going to make a non-fan a fan or vice versa, but if you dig Red House Painters, solo Kozelek or earlier Sun Kil Moon, this record offers up exactly what you'd be asking for.
5. Bon Iver- For Emma, Forever Ago
As I noted in my earlier rant about the cheapening of "minimalism," this record is a great example of how stripping back can be the best thing an artist does. (Just not always.) Anyway, by "minimalist" standards, this isn't particulary drastic. There's a good deal of multi-tracking, particularly on the vocals, which gives them this amazingly eerie quality. I'm totally with the critics on this one. Awesome.
4. REM- Accelerate
Hope everyone can hear me over the sound of Tex Plush barfing. I believe Eric linked to an blog entry documenting how critics claim that every REM album is "the best since ___", thereby invalidating the previous album they had bestowed with equal praise 2-3 years ago. Well this time it's true. This is their best album since either Up or New Adventures in Hi-Fi. (Both are classics, but not everyone realizes Up's greatness. Ironically Tex does, yet he does not care for Accelerate. Go figure.)
3. Bob Dylan- Tell Tale Signs: The Bootleg Series Vol. 8
I was late in the game to this because I wasn't in a place to be buying double CDs. Also, the fact that everything on here was recorded 2 to 20 years ago makes it somewhat unconventional to make a 2008 Top 10 list. But there are so many great unreleased songs on here, that there was really no way I could deny it. Quinapalus posted some great tracks-- Someday Baby and Dreamin' of You-- and there are many more where that came from. God Knows, Series of Dreams and Marchin' to the City are standouts for me.
2. School of Language- Sea From Shore
Quirky, guitar-heavy, great drums, reminiscent of Shudder to Think, Jeff Buckley and noisy Flaming Lips all at once. What more could a boy really want?
1. Fleet Foxes- Fleet Foxes
Originally this wasn't even going to make my list, but then I read Pitchfork's brilliantly rendered Top 50, which reminded me how much I loved the Knife in 2006 and suddenly I reali--
Aw, fuck that! I don't need the skinny-pants music intelligentsia to tell me what the best album of the year was. It was GUNS N' FUCKING ROSES motherfuckers!
Chinese Democracy, though flawed (yes, even I admit that) was the best record of the year. Out of 14 songs, it had zero duds, 2 tracks that didn't hold up (Scraped and Sorry), 2 tracks that were interesting but overwrought (Madagascar and This I Love) and 10 fucking amazing songs that are going to join Axl Rose's canon. Yes, he is a ridiculous individual who screwed himself over by refusing to publicly promote the album, but he's a very gifted musician. Time will be kind to this record.
Honorable Mentions
Deerhunter, Deerhoof, American Music Club, the Hold Steady, Shearwater, Drive-By Truckers, Andrew Bird (Soldier On EP), Gutter Twins, Bonnie "Prince" Billy, Isobel Campbell & Mark Lanegan, Stephen Malkmus & the Jicks
Might Have Made It But Never Heard It
Sea and Cake, Pavement (Brighten the Corners reissue), Calexico, Ryan Adams
Likely Would Have Made My 2007 List Had I Heard It That Year
Travis Morrison Hellfighters, Field Music
10. The Tallest Man on Earth- Shallow Grave
Thanks to Quinapalus for weeding through Pitchfork's annual paean to pasty white guys playing rave music to dig out their review of this. I love this record. I love the guitar playing, the lyrics, his off-kilter voice and the fact that he's from Sweden.
9. The Week That Was- The Week That Was
Thanks to Tex Plush for alerting the collective to this record. Thanks to Field Music for a) being pretty darn good in and of itself and b) spawning side projects that are even better than the main band.
8. Vampire Weekend- Vampire Weekend
God I want to hate this band. In terms of background and hype, they basically are the Strokes. But in terms of talent, they're so much better. Yes, I do hear the Paul Simon-isms. But I think they're limited to only a few songs, and frankly there's a lot of Afro-pop that they touch on that Paul Simon missed. They also are one of the few indie acts to use string instruments in a way that doesn't reek of total dilletante-ism. I'll give points to anyone who gets more out of major scale than their cellist. This debut isn't perfect, but damn if it isn't promising.
7. Wye Oak- If Children
I can't understand why this record was ignored by critics this year. Goes to show that good PR can take you a lot farther than good music. If you want an album that better combines delicate beauty and dissonant guitar/drum fuzz-outs, you'll have to settle for Yo La Tengo. (Only Yo La Tengo doesn't really sound like these guys. So you'll just have to get this record.)
6. Sun Kil Moon- April
Mark Kozelek has gotten so good at what he does, sometimes we don't give him enough credit for solidly connecting every time. This isn't going to make a non-fan a fan or vice versa, but if you dig Red House Painters, solo Kozelek or earlier Sun Kil Moon, this record offers up exactly what you'd be asking for.
5. Bon Iver- For Emma, Forever Ago
As I noted in my earlier rant about the cheapening of "minimalism," this record is a great example of how stripping back can be the best thing an artist does. (Just not always.) Anyway, by "minimalist" standards, this isn't particulary drastic. There's a good deal of multi-tracking, particularly on the vocals, which gives them this amazingly eerie quality. I'm totally with the critics on this one. Awesome.
4. REM- Accelerate
Hope everyone can hear me over the sound of Tex Plush barfing. I believe Eric linked to an blog entry documenting how critics claim that every REM album is "the best since ___", thereby invalidating the previous album they had bestowed with equal praise 2-3 years ago. Well this time it's true. This is their best album since either Up or New Adventures in Hi-Fi. (Both are classics, but not everyone realizes Up's greatness. Ironically Tex does, yet he does not care for Accelerate. Go figure.)
3. Bob Dylan- Tell Tale Signs: The Bootleg Series Vol. 8
I was late in the game to this because I wasn't in a place to be buying double CDs. Also, the fact that everything on here was recorded 2 to 20 years ago makes it somewhat unconventional to make a 2008 Top 10 list. But there are so many great unreleased songs on here, that there was really no way I could deny it. Quinapalus posted some great tracks-- Someday Baby and Dreamin' of You-- and there are many more where that came from. God Knows, Series of Dreams and Marchin' to the City are standouts for me.
2. School of Language- Sea From Shore
Quirky, guitar-heavy, great drums, reminiscent of Shudder to Think, Jeff Buckley and noisy Flaming Lips all at once. What more could a boy really want?
1. Fleet Foxes- Fleet Foxes
Originally this wasn't even going to make my list, but then I read Pitchfork's brilliantly rendered Top 50, which reminded me how much I loved the Knife in 2006 and suddenly I reali--
Aw, fuck that! I don't need the skinny-pants music intelligentsia to tell me what the best album of the year was. It was GUNS N' FUCKING ROSES motherfuckers!
Chinese Democracy, though flawed (yes, even I admit that) was the best record of the year. Out of 14 songs, it had zero duds, 2 tracks that didn't hold up (Scraped and Sorry), 2 tracks that were interesting but overwrought (Madagascar and This I Love) and 10 fucking amazing songs that are going to join Axl Rose's canon. Yes, he is a ridiculous individual who screwed himself over by refusing to publicly promote the album, but he's a very gifted musician. Time will be kind to this record.
Honorable Mentions
Deerhunter, Deerhoof, American Music Club, the Hold Steady, Shearwater, Drive-By Truckers, Andrew Bird (Soldier On EP), Gutter Twins, Bonnie "Prince" Billy, Isobel Campbell & Mark Lanegan, Stephen Malkmus & the Jicks
Might Have Made It But Never Heard It
Sea and Cake, Pavement (Brighten the Corners reissue), Calexico, Ryan Adams
Likely Would Have Made My 2007 List Had I Heard It That Year
Travis Morrison Hellfighters, Field Music
Friday, December 12, 2008
For Your Consideration: American Music Club
This one is especially for fans of Sun Kil Moon, whom I expect to make at least two Top 10 lists among this collective.Like Sun Kil Moon, American Music Club is:
- From San Francisco.AMC has been out of commission for several years, while their singer, Mark Eitzel, released various solo projects. (I particularly recommend West, which was a collaboration with Peter Buck.) They were big in sad, folky indie circles throughout the '90s, much like Mark Kozelek's old band, Red House Painters. (Who, sound-wise, are 96% the same band as Sun Kil Moon.)
- Led by a moody guy named Mark.
- Beloved by critics and largely unknown by the general public.
- Melancholy, somewhat folky, but not afraid to use distortion either.
The Golden Age is AMC's comeback of sorts, and it's excellent. I saw the A.V. Club selected it for their "best of" list, and I'm considering doing the same.
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