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Well friends, we're within 2 months of Top 10 season, and I decided there was no time like the present to revisit what I submitted for 2008 and see how everything holds up. Was I astute? Pretentious? Drunk? Let's find out...
10. The Tallest Man on Earth- Shallow Grave
I discovered this days before making my list (props to Quinapalus) and impulsively put it on my list based on lust alone. Well, I still like it, but the lust has worn off. Great guitar/banjo playing and the best pseudo-Bob Dylan persona Sweden could ever hope to produce, but ultimately most of the songs sound the same. Verdict: CUT
9. The Week That Was- The Week That Was
Another record I learned about via a fellow kittybrain. This time it was Tex Plush. This album has aged strangely for me. It has my single favorite song of 2008, "Scratch the Surface," but this album is no longer my 9th favorite of last year. Verdict: CUT
8. Vampire Weekend- Vampire Weekend
I still don't understand what business I have liking this band, given their hype and cutesy songs about summering in the Vineyard. They also rip off Paul Simon. But they do all this stuff so well! Still, 10+ months later, they don't hold up as #8. Verdict: CUT
7. Wye Oak- If Children
Loved this record, which I discovered randomly on eMusic. (Anyone still a member?) They quickly released a follow-up, and that one is in contention for this year's list. It sounds a lot like this one, but that's a good thing. Verdict: KEEP
6. Sun Kil Moon- April
This one holds up well. I haven't listened to it as much as I'd like to, but when I put it on, the songs nonetheless sound immediate and familiar. And I'm certain I haven't even played it 10 times. Not the zenith of Kozelek's career, but very good and was still among the best I actually heard last year. That said, I've since heard more stuff from last year... Verdict: CUT
5. Bon Iver- For Emma, Forever Ago
This record is still really good, although I think half of its merit lies in its last song alone. To clarify, however, that last song is amazing. Verdict: KEEP, but drop further down the list.
4. REM- Accelerate
Not top-tier REM, but easily in their second tier along with Life's Rich Pageant and Out of Time. And as their "hard rock" albums go, it's superior to Monster, (which itself is underrated.) Verdict: KEEP but drop further down.
3. Bob Dylan- Tell Tale Signs: The Bootleg Series Vol. 8
Someday Baby, Dreamin' of You, God Knows, Series of Dreams and the live version of Ring Them Bells have haunted me all year. It compensates for his merely pretty good new album plus the bizarro Christmas disc he just put out. This record has really held up. Verdict: KEEP and move up.
2. School of Language- Sea From Shore
Still the discovery of last year for me. Again, thank you eMusic. A totally random find and a great one! Verdict: KEEP
1. Guns N' Roses- Chinese Democracy
At the risk of pulling a Jay Bennett, I'm going to quote myself here: "Out of 14 songs, it had zero duds, 2 tracks that didn't hold up (Scraped and Sorry), 2 tracks that were interesting but overwrought (Madagascar and This I Love) and 10 fucking amazing songs that are going to join Axl Rose's canon. Yes, he is a ridiculous individual who screwed himself over by refusing to publicly promote the album, but he's a very gifted musician. Time will be kind to this record."
I stand by that review. Verdict: KEEP
So what got left off? I had given honorable mentions to Deerhunter, Deerhoof, American Music Club, the Hold Steady, Shearwater, Drive-By Truckers, Andrew Bird (Soldier On EP), Gutter Twins, Bonnie "Prince" Billy, Isobel Campbell & Mark Lanegan, Stephen Malkmus & the Jicks. I also never heard Sea and Cake, Pavement (Brighten the Corners reissue), Calexico, Ryan Adams, TV on the Radio, the Roots and Dr. Dog.
Since 4 slots opened up on my list, I get to pick replacements from this list (because I said so) and the first 3 are Sea and Cake, Dr. Dog, and TV on the Radio. I hadn't heard any of these when I made my list last year, and I feel the desire to edit to reflect their greatness.
The last record I'll add is Bonnie "Prince" Billy's Lie Down in the Light, which didn't affect me the way it did Tex and others, but it has held up well during 2009. And Beware, which really feels like a companion piece, is definitely in contention for this year's list.
So, with that said, here is my revised list:
10. Dr. Dog- Fate
9. Wye Oak- If Children
8. Bon Iver- For Emma, Forever Ago
7. Sea and Cake- Car Alarm
6. Bonnie "Prince" Billy- Lie Down in the Light
5. REM- Accelerate
4. TV on the Radio- Dear Science
3. School of Language- Sea From Shore
2. Bob Dylan- Tell Tale Signs
1. Guns N' Roses- Chinese Democracy
Top honorable mentions to Sun Kil Moon and Stephen Malkmus (whose album has also held up well over the past year).
Showing posts with label Sea and Cake. Show all posts
Showing posts with label Sea and Cake. Show all posts
Tuesday, November 10, 2009
Monday, December 29, 2008
Tex Plush's Top 13 of 2008
13. The Broken West - Now or Heaven
The hooks are plentiful, the songs are well-written, and the beats ride that nice line between electronic and acoustic underneath up-tempo jangly guitar-pop. Though my frustration with the quality of writing in the AV Club continues, this was one recommendation they made in 2008 that I am grateful for.
http://www.myspace.com/thebrokenwest
12. The Sea and Cake - Car Alarm
Listening to TSAC to me is in some ways like The Band - I can focus on any one player in the mix and have a revelatory listening experience, yet they all come together into a totally unique blend. You already know if you like this band. If you do, don't miss this record.
11. Dr. Dog - Fate
Their vocal harmonies in concert are fucking outstanding. I see big things for these guys if they keep on their current trajectory.
10. Sun Kil Moon - April
If you've tried to be a fan of Mark Kozelek in the past and it never worked out, don't listen to this album. If you've ever loved a Red House Painters album or a Sun Kil Moon record, April is up there with the best of them. It definitely feels more to me like old school RHP with all its sprawl, rather than the more efficient sensibilities of Ghosts Of The Great Highway. But as long as you're not in a hurry, the hypnotic tension Kozelek builds during his verses always pays off when he unexpectedly hits the chorus. And when those electrics finally chime in - never has a three guitar attack been so soothing and mind-bending at the same time.
9. Erykah Badu - New Amerykah Vol. 1 (World War 4)
8. Blitzen Trapper - Furr
7. Randy Newman - Harps and Angels
No artist makes me laugh out loud the way Randy Newman does. He is STILL at the top of his game. This record was sorely overlooked this year by the establishment.
Favorite line: "You know, it pisses me off that the Supreme Courts gonna out live me. Couple young Italian fellows and a brother on the court now too. But I defy you, anywhere in the world to find me two Italians as tight assed as the the two Italians we got. And as for the brother, well, Pluto's not a planet any more neither."
6. Mates of State - Rearrange Us
Their most mature, best sounding, most diversely orchestrated album to date. Though it drops off a little in the 2nd half, it's the catchiest, sweetest and most optimistic pop record of the year. I've never been a huge fan of these guys, but this time they hit it out of the park.
5. Lil' Wayne - Tha Carter III
I've never listened to a hip hop album as much as I listened to Tha Carter III. His voice and flow is one of a kind and I never get tired of hearing it, specially sandwiched btw the hottest R and B hooks this side of R. Kelly. Funny thing, I have a feeling that Q and I have completely different favorite tracks on this disc....
4. Guns N' Roses - Chinese Democracy
3. Bob Dylan - Tell Tale Signs
2. Bon Iver - To Emma, Forever Ago
In hindsight, I guess I'm not surprised that no one really responded when I posted a track from this album a while back. It definitely requires a certain mood to be appreciated, maybe even a certain kind of weather or a particular time of night or early morning. I'm a little bit fascinated by the way some albums have stories connected to them that become part of their mystique and can help communicate that particular atmosphere they need in order to be appreciated. Yes, such stories also serve as marketing, and I guess that is the other part of me that likes them- the part of me that appreciates shrewd business sense. For Emma is a perfect example of how one of those stories dovetails with an albums mood: Justin Vernon's band broke up. His relationship ended too. So he retreated to an isolated cabin in the Wisconsin woods for a long, lonely winter, and he produced this album. He ended the winter with what he thought was a decent demo. What he actually came out of the woods with was the most beautiful sounding record of the year. The emotion just drips from the speakers.
1. Bonnie "Prince" Billy - Lie Down In The Light
After a string of records that sounded like the work of a warmed-over corpse, Will Oldham got his groove back in the year 2008. No matter when I put this album on this year, it never failed to make me feel more connected to myself, to nature, to my family, to my girlfriend, to life and to death. That's a motherfucking tall order, if you ask me. This album is so meaningful and earnest, yet never heavy and it retains a loose, communal back porch jam feel throughout. I'm tempted to give all the credit to Mark Nevers, whose production is a revelation for Oldham's music. The instruments breath in space, and on almost every track there are new, surprising, yet perfect instrumental additions, whether it be a honky tonk piano, a clarinet, a chorus of horns or a hammond organ. No Bonnie "Prince" Billy album has felt this alive in years, and none have EVER felt this joyful. Oldham is actually singing his heart out and it is just gorgeous. In a year of transition and stress, Lie Down In The Light was just what I needed.
The hooks are plentiful, the songs are well-written, and the beats ride that nice line between electronic and acoustic underneath up-tempo jangly guitar-pop. Though my frustration with the quality of writing in the AV Club continues, this was one recommendation they made in 2008 that I am grateful for.
http://www.myspace.com/thebrokenwest
12. The Sea and Cake - Car Alarm
Listening to TSAC to me is in some ways like The Band - I can focus on any one player in the mix and have a revelatory listening experience, yet they all come together into a totally unique blend. You already know if you like this band. If you do, don't miss this record.
11. Dr. Dog - Fate
Their vocal harmonies in concert are fucking outstanding. I see big things for these guys if they keep on their current trajectory.
10. Sun Kil Moon - April
If you've tried to be a fan of Mark Kozelek in the past and it never worked out, don't listen to this album. If you've ever loved a Red House Painters album or a Sun Kil Moon record, April is up there with the best of them. It definitely feels more to me like old school RHP with all its sprawl, rather than the more efficient sensibilities of Ghosts Of The Great Highway. But as long as you're not in a hurry, the hypnotic tension Kozelek builds during his verses always pays off when he unexpectedly hits the chorus. And when those electrics finally chime in - never has a three guitar attack been so soothing and mind-bending at the same time.
9. Erykah Badu - New Amerykah Vol. 1 (World War 4)
8. Blitzen Trapper - Furr
7. Randy Newman - Harps and Angels
No artist makes me laugh out loud the way Randy Newman does. He is STILL at the top of his game. This record was sorely overlooked this year by the establishment.
Favorite line: "You know, it pisses me off that the Supreme Courts gonna out live me. Couple young Italian fellows and a brother on the court now too. But I defy you, anywhere in the world to find me two Italians as tight assed as the the two Italians we got. And as for the brother, well, Pluto's not a planet any more neither."
6. Mates of State - Rearrange Us
Their most mature, best sounding, most diversely orchestrated album to date. Though it drops off a little in the 2nd half, it's the catchiest, sweetest and most optimistic pop record of the year. I've never been a huge fan of these guys, but this time they hit it out of the park.
5. Lil' Wayne - Tha Carter III
I've never listened to a hip hop album as much as I listened to Tha Carter III. His voice and flow is one of a kind and I never get tired of hearing it, specially sandwiched btw the hottest R and B hooks this side of R. Kelly. Funny thing, I have a feeling that Q and I have completely different favorite tracks on this disc....
4. Guns N' Roses - Chinese Democracy
3. Bob Dylan - Tell Tale Signs
2. Bon Iver - To Emma, Forever Ago
In hindsight, I guess I'm not surprised that no one really responded when I posted a track from this album a while back. It definitely requires a certain mood to be appreciated, maybe even a certain kind of weather or a particular time of night or early morning. I'm a little bit fascinated by the way some albums have stories connected to them that become part of their mystique and can help communicate that particular atmosphere they need in order to be appreciated. Yes, such stories also serve as marketing, and I guess that is the other part of me that likes them- the part of me that appreciates shrewd business sense. For Emma is a perfect example of how one of those stories dovetails with an albums mood: Justin Vernon's band broke up. His relationship ended too. So he retreated to an isolated cabin in the Wisconsin woods for a long, lonely winter, and he produced this album. He ended the winter with what he thought was a decent demo. What he actually came out of the woods with was the most beautiful sounding record of the year. The emotion just drips from the speakers.
1. Bonnie "Prince" Billy - Lie Down In The Light
After a string of records that sounded like the work of a warmed-over corpse, Will Oldham got his groove back in the year 2008. No matter when I put this album on this year, it never failed to make me feel more connected to myself, to nature, to my family, to my girlfriend, to life and to death. That's a motherfucking tall order, if you ask me. This album is so meaningful and earnest, yet never heavy and it retains a loose, communal back porch jam feel throughout. I'm tempted to give all the credit to Mark Nevers, whose production is a revelation for Oldham's music. The instruments breath in space, and on almost every track there are new, surprising, yet perfect instrumental additions, whether it be a honky tonk piano, a clarinet, a chorus of horns or a hammond organ. No Bonnie "Prince" Billy album has felt this alive in years, and none have EVER felt this joyful. Oldham is actually singing his heart out and it is just gorgeous. In a year of transition and stress, Lie Down In The Light was just what I needed.
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