She needs cash, to buy asprin for her pain

On a friend's recommendation, I went back and listened to this song off of Live's 1994 smash hit Throwing Copper. The album as a whole is pretty ridiculous (even if I did enjoy it in earnest as a 15-year-old) but there's something about this bizarre song that's kind of great. I leave it to you to draw your own conclusions...

Field Music is back!

Field Music is back together after a brief hiatus in which they became The Week That Was and School of Language, both of which at one point Drischord and I were heartily in favor of. The new album is pretty stunning, if a little bit hard to digest, coming in at 20 tracks. Sounds like XTC meets Big Star.

I'm Just Gonna Keep Posting Vic Chesnutt Songs

I'm officially still mourning this man's passing, so I think the best thing I can do right now is keep posting his hauntingly* beautiful music and let it speak for itself.

This is "Supernatural" off his aforementioned Drunk album, which everyone should own.



* apologies for using the adjective/adverb "haunting(ly)" in consecutive posts

Bob Dylan Live at the White House

His range isn't even what it was in 1964, but this arrangement of "The Times They Are A-Changin" sounds like so much of his recent output... haunting.



Just part of a larger White House concert to commemorate music of the civil rights era.

The Mercy Seat

Man, this song is good. I loved it when Johnny Cash sang it, but this version is just one more thing that tells me I need to get into Nick Cave at some point.

The Unsung Insanity of Crispin Glover

Clowny Clown Clown! Oh dear God, I can't believe there's a video on YouTube of this Crispin Glover spoken-word train wreck! I can't express how amazed and delighted I was to come across this after all these years!



It even contains references to Glover's bizarre alter ego Rubin Farr, mentioned without explanation so that you'd have to make an effort to dig deeper into the Glover canon to find out what the heck he was talking about.

I'm tempted to go on for a long time, but really, I think the material speaks for itself.

An Surprising Example of Well-Produced Music

Yesterday I stumbled across a slice of mid-'90s esoteria-- The Crash Test Dummies' random hit "Mmm Mmm Mmm Mmm." And I had two reactions:

1. The song holds up remarkably well. I actually really like it.

2. It's really well produced. The instruments are wonderfully clear and precise, the stereo mix is excellent, and while it is definitely compressed, there are still dynamics within the track.

Unfortunately I have to upload a compressed .mp3, so it's not going to sound as great in this stream. But check it out. I'm really impressed and would be interested to hear what some of the more discriminating audiophiles in our collective think.



I'd also welcome other examples of great production.

Press Time Update: Right before posting, I went to All Music Guide to see just who the hell produced this anyway. And I guess I wasn't alone in my opinion:

"Thanks to Jerry Harrison's remarkably clear and focused production, Crash Test Dummies' second album became a surprise hit."

Production mentioned in the first line of the review... and it's a "celebrity" producer no less! Yay Talking Heads! (sort of)

Quinapalus Does a Few Year-End Summations

I'm afraid I don't have a top ten list in me this time around. I was kind of on my own pop-cultural planet all year. Here is a quick summary:

Album of the Year:
Nirvana: Live at Reading. This was one of the very few albums released this year that I actually got a copy of, and I've listened to it nearly every day since it came out. Listening to it now gives me a new appreciation of what a fucking tight band they were.

Album from last year I've unexpectedly grown to like:
Bon Iver: For Emma Forever Ago. I resisted liking this for a very long time, but ever since Drischord's post a couple of months back in which he mentioned how much he liked the last song, I've been listening to the album via YouTube quite often, and in the end may even have to get a real copy of it. It has really grown on me.

Concert of the Year:
Wilco, on Coney Island. Quite seriously, my concert of the year, in that I literally don't think I went to a single other concert all year long. And in fact, I didn't get off my ass to buy a ticket even to this one, Tex just had an extra ticket and convinced me to go. Don't get me wrong: it was a GREAT concert, and I can't think of a band I would rather have been the only one I saw all year. But I am officially an old man now, and I just don't get off on loud noises the way I used to.

Semi-retraction of the year:
I'm afraid I went too far in my condemnation of Mos Def's newest album. It's not up to the level of his classic material, but not all of it is abysmal either (even if some of it is abysmal). It's not something I listened to very much in the end, but my initial review was the knee-jerk reaction of a once-devoted fan, who is being much too hard on an artist for not living up to his past glory.

YouTube find of the year:
Perhaps the most brilliant example you'll ever find of a once-devoted fan being extremely hard on an artist for not living up to his past glory. I tuned in to this sprawling dissection of all that is wrong with Star Wars: The Phantom Menace simply out of curiosity, expecting to watch about 2 minutes of it. Before all was said and done, I had not only watched all 70 minutes, but was truly awed by the talent it took to put together such a hilarious and damning essay, and held a new appreciation for just how terrible and disappointing that movie truly was.

Writer I always underestimated before this year:
J.K. Rowling. Those Harry Potter books are actually quite entertaining, especially starting with the third installment. The later books in the series are also pretty marvelously structured, and I could (and maybe someday will) write a whole essay on the unique, very contemporary, tongue-partly-in-cheek way she has chosen to meld together the myths and fantasy stories of the past into her Hogwartsian universe. (I would probably title that essay either "Identity Politics and Demi-Giants" or "Myth and Multiculturalism"). I may have more to say when I finish the series (I've got 1 and a half more books to go) but so far you can color me impressed.

Overall theme for the year:
Getting into material I can't wrap my head far enough around to post about yet. Musically, I've been on another planet this year for some reason, and one of these days I will learn enough about the Baroque period, and jazz fusion, to write competent posts on both topics. For the moment though, I'm still in the phase of just getting my mind blown, and have nothing worth sharing to say about either of those things yet. I've also been trying to learn French, and am getting much much better at reading it (if not speaking, writing, or listening to it), and the richness of the French literary tradition is in some ways only really starting to dawn on me. It's also very freeing to be able to read something, and feel basically OK that there are sentences that I can't make heads or tails of, paragraphs I have to spend an hour on to understand, and subtleties that are beyond a doubt going way over my head. It reminds me of being a kid and discovering British literature for the first time, and having a great time just entering into this vast, unexplored world, without it being necessary to understand it all: the newness and the mystery were part of the allure, and I knew I'd understand more with time.

I think I'd nearly forgotten how much fun it was to run up against something totally new that you couldn't quite wrap your head around. It can be quite rejuvenating!

Year in Review Update

I discovered a giant, massive, glaring omission in my Year in Review list. That being... the reunion of Faith No More. It's not just the fact that they returned, it's that they put on an absolutely amazing show for their first time back. Seriously, this is at lowest my #3 music moment of 2009, maybe #2, hell maybe #1. And if I'm being totally honest, while I am thrilled that Phish is back, if you told me that tomorrow I could either have tickets to a Phish show or FNM, I'd take the FNM tix in a heartbeat. Some of you might hate this, but I don't think it gets much better than the following for music in 09:

Eric's 2009 Roundup

I agree with D's assessment that this was a good year for "good" albums. I heard a decent amount of new music this year, plenty of which I enjoyed, but none of which particularly excited me (despite all of the blog/NYMag-based insanity for the Dirty Grizzly Collective). So, here are ten albums that I purchased this year that I enjoyed to varying degrees, listed without comment (in vague order of how much I liked/listened to them, but not really):
1. Phoenix - Wolfgang Amadeus Phoenix
2. Flaming Lips - Embryonic
3. Bonnie "Prince" Billy - Beware
4. Dirty Projectors - Bitte Orca
5. Neko Case - Middle Cyclone
6. Animal Collective - Merriweather Post Pavilion
7. Andrew Bird - Noble Beast
8. Wilco - Wilco (the album)
9. Grizzly Bear - Veckatimest
10. AC Newman - Get Guilty


As per my usual habit, this year I went through several phases where I spent weeks, if not months, listening to only one artist or genre. The phases proceeded thusly:

I). Winter: Bonnie Prince Billy and other sundry Will Oldham aliases -- Inspired by the high placement on last year's lists, I ended up picking up a handful of his albums, starting with Lay Down in the Light, which remains my favorite. This bled into . . .

II) Spring: Bob Dylan -- I hadn't been in a Dylan phase in years, and had mostly ignored his newer stuff. I was focused more on stuff that I hadn't played to death in high school (ie, Highway 61, Blonde on Blonde, Blood on the Tracks). I spent a lot of time listening to a great bootleg set of the complete Basement Tapes (can't remember if I posted about it, but google for "A Tree With Roots") and finally got really into Love & Theft. I also finally got around to seeing Todd Haynes' I'm Not There. I'm generally not a fan of Todd Haynes' work and I don't know if I liked this movie at all really, but because I was in such a Dylan phase at the time, it really hit the spot.

III) Summer: Michael Jackson -- I must have listened to other stuff until the Summer of Death began, but once MJ died, I listened to basically nothing but for a good month or so (focusing especially on the stuff I posted about in the linked entry).

IV) Fall: The Beatles -- I hadn't listened to a Beatles record in years. There was just no need -- I had heard every single note of every single album so many times that it became hard to derive much joy from sitting down and listening to an album. That all changed when they released the remasters this past year. The sound was definitely am improvement, though, except in a few cases (the stereo White Album especially) it wasn't totally revelatory. But sitting down to hear the sonic improvements and compare the stereo and mono mixes (I actually bit the bullet and bought the Mono Box Set, like the sucker that I am) forced me to actively listen to music that had long become background music. And Sgt. Pepper in mono really is better (except for a couple moments)!

V) Late Fall / Winter: Motown -- For the past couple of months I have been listening to literally nothing but Motown. On this message board I sometimes go to, a guy is going through and reviewing / posting links to download every single Motown (or affiliated label) LP, in order of release. Many of these are out of print on CD, though easy enough to find online (check out blaxploitationjive.blogspot.com). Although Motown is, of course, first and foremost, a singles label (and certainly many of the albums are nothing but singles with some filler), many of the LPs are fantastic in their own right. As a first priority, seek out good singles compilations (preferably in mono -- it makes a HUGE difference, no joke) for The Supremes, The Temptations, The Four Tops, Smokey Robinson and the Miracles, Martha and the Vandellas, Marvin Gaye and Stevie Wonder. But a quick top five album recommendations:
Marvin Gaye and Tammi Terrell - You're All I Need
Temptations - With a Lot O' Soul
Smokey Robinson and the Miracles - Make it Happen
The Supremes - More Hits By The Supremes (not a compilation)
Martha and the Vandellas - Watchout!

Motown basically has the best songwriting, the best production, the best playing (especially the drumming and bass playing), the best grooves, and the best singing. So its kind of by definition the best music ever. It's difficult for our generation, because it has been so muzak-ized by its use in commercials and movies. You definitely have to approach the music from a specific mindset to hear "I Heard it Through The Grapevine" as one of the coolest, tightest grooves ever laid to wax (it has three drummers!) and not a California Raisins commercial. But once you can, there's a seemingly endless well of amazing music to be enjoyed.

(Looking back, I spent the back half of 2009 listening to the greatest pop music ever by almost any account. While I certainly enjoyed Bitte Orca, it just can't compete).

I'm still in the Motown phase, though the lists people have already posted have given me some good stuff to check out and download from eMusic, before I cancel my subscription because I've now forgotten to download my allotment before it resets TWICE, which pisses me off to no end. Happy 2010!

The Inevitable Soundgarden Reunion Finally Materializes

Only sloth and/or forgetfulness has kept me from predicting on this blog that Soundgarden would be the next major band to reunite.

I've thought as much ever since Chris Cornell released his floor-scraping, jaw-droppingly awful album with Timbaland earlier this year. And now the news appears confirmed. According to their website: "The 12 year break is over and school is back in session."

This is great news-- assuming that none of Cornell's projects from the past 12 years bleed into this reunion. Also, there's the complication that Matt Cameron has been the drummer of Pearl Jam for 11 of those 12 years and apparently has no plans to leave. So we'll see how it all evolves...

Q's Vic Chestnutt post

I'm still working on my year-end list...hopefully I will have some free time to actually finish it before it's time for next year's list.

In the meantime, I just wanted to add my own two-cents about the late great Vic Chestnutt. He was an artist I always liked when I heard him, even if I never got around to buying very many of his albums. In fact, I'm pretty sure I only ever bought one of his albums, 2001's Left To His Own Devices (on Drischord's recommendation, I assume).

I can't speak very objectively about my favorite song from that album, because it was one of those songs that in my early 20's I would have said "changed my life". To this day it's burned into my memory as a song that actually caused me to look at the world in a way I never had before. This song was like a sharp needle pricking my inflated, liberal sense of pride and goodwill, and letting me know that I didn't know what the hell I was talking about half the time.

Maybe the song is the stunning classic it still sounds like to me...maybe it was just a pretty good song that I came across at exactly the right moment for it to have a huge effect on my young consciousness. In either case, I present for you "We Should Be So Brave".



RIP Vic Chestnutt.

Drischord's Best of 2009

This was a wonderful year for "good" albums; I can't remember a year in which I genuinely liked so many new releases. In particular, it was way better than 2008. But it was also a year that would have been trumped by records that only made it to #2 or #3 on previous lists of mine. For me there was no Sky Blue Sky, In Rainbows or Modern Times to run away with 2009. Anyway, here's my list...

11. Mount Eerie Wind Poem- Back when Phil Elvrum was recording as The Microphones (and Pitchfork was letting him cum all over their collective tits), I found his music to be lacking in many ways. Mount Eerie is a different story. His sound collage experimentation is finally landing for me, and he's found new ways to sound exciting, challenging, and sometimes even scary.

10. Bonnie "Prince" Billy Beware- I liked this one just as much as Lie Down in the Light. A little less openly inviting, but the songs are great and his arrangements have never been better.

9. Polvo In Prism- This band's reunification was a gift from the indie rock gods. So happy they're back and making awesome music once again.

8. Slaid Cleaves Everything You Love Will Be Taken Away- My favorite country recording of the year. I first heard Slaid Cleaves when I got a free promo recording at the Daily Northwestern. He fell by the wayside for me a bit, but I rediscovered him this year and thought this record was excellent.

7. Built To Spill There Is No Enemy- Another return to form from a late '90s classic.

6. Dirty Projectors Bitte Orca- So glad Radiohead put out a new one this year.

5. Animal Collective Merriweather Post Pavillion- I want to react against Pitchfork and hate this album, but it's too good to deny. Still haven't uncovered everything it has to offer.

4. Sonic Youth The Eternal- If, on the heels of Experimental Jetset..., Washing Machine, and NYC Ghosts and Flowers, you had told me Sonic Youth would put out 4 of the best rock albums of the '00s, I would have laughed in your face. Good thing that conversation never happened. What a decade for this band.

3. Morrissey Years of Refusal- I'm repeating myself, but why did I have no idea that this guy's solo career was so good? This was the only album of this year that I played on constant repeat after buying it.

2. Phoenix Wolfgang Amadeus Phoenix- I had no idea who these guys were a year ago and their (incorrect) categorization as French dance pop sounds miserable. But what can I say? This record is awesome.

1. Bill Callahan Sometimes I Wish We Were An Eagle- Moody, relaxing, scary, beautiful, sometimes all in the same song. I've really gotten into the whole span of his career, and this is my favorite record he's put out.


Other Categories:

Can't Offer Any Objective Opinion Because I Just Got It and He Just Tragically Died
Vic Chesnutt- At the Cut

Honorable Mention
Dinosaur Jr.- Farm
Neko Case- Middle Cyclone
Sunset Rubdown- Dragonslayer
Yo La Tengo- Popular Songs
Jeremy Enigk- OK Bear
Nels Cline- Coward

Good Enough, Yet Disappointing
Wilco- Wilco (the Album)
Bob Dylan- Together Through Life
Andrew Bird- Noble Beast
Antlers- Hospice

Resented Purchasing
Grizzly Bear- Veckatimest
Owen- New Leaves

Didn't Hear
Why?
Passion Pit
Modest Mouse
Flaming Lips
Wye Oak
Jim O'Rourke

VC's Personal Best of 2009

So there was a lot of music I liked this year from a lot of bands that I care about. But between a busy schedule and a very hectic (and crummy) year of life, those new albums just didn't fill my soul this year. I could definitely come up with a top 10 albums of 2009, but it seems arbitrary and not really that accurate - I mean, I haven't heard the Grizzly Bear, am still digesting Embryonic, never got that new Tortoise I really wanted - how fair can such a list be?

I also was really struck by a column in the Reader (which sadly I can not find online to link) talking about the weird way that pretty much all top 10 lists have some degree of same-ness, and asking if such a thing is really needed. It struck a chord with me, and for me, the answer is no. I am more intrigued to check out the top 10 of a more well-rounded, educated listener like Tex than to basically throw out my own random list.

That said, there was indeed stuff that spoke to me this year, and spoke to me in a profound way. So, at the risk of seeming very arrogant and self-serving, I present my own highly personalized Top 5 Music Highlights of 2009:

1. Phish: March 6, 2009, Hampton Coliseum – This was the first show back for Phish after their huge hiatus, and really, for me, the year never gets any better than the “Fluffhead” that opens this show. There is this amazing energy in the crowd that you can hear even through the recording, and the band is just playing their hearts out. It’s obvious they felt they had something to prove here, and they did it. Rest of the show is amazing too.

2. Animal Collective: Merriweather Post Pavilion – At the risk of getting all Pitchfork-y here, yeah this thing is incredible. I only got into AC relatively recently, so this is their first new album I’ve bought (from eMusic, naturally!) and it really is everything I like about this band. I’m not so into them that I enjoy things like “Bees” or “Here Comes the Indian” but if they want to be all “sold out” and mainstream and make things like this, that’s just fine by me.

3. Phish: Exile on Main Street – Phish Halloween costume this year, and the first one in 10 years. Man is it great. Sharon Jones and the Dap Kings join them for the entire album, adding some great dynamics to an all around beautiful performance. Highlights are Phish staple “Loving Cup” along with “Torn and Frayed.”

4. Sunset Rubdown: Dragonslayer – My clear cut #2 album of the year, and just an all around good time. I get the dislike of Krug’s voice, but it doesn’t bother me, and the big, crazy guitars and all around epicness of the whole thing gets me in that sweet spot.

5. Chicago Symphony Orchestra: Pictures at an Exhibition – Not to get all snooty here, but Jen and I saw the CSO perform this fantastic piece of music early this year, and it was really beautiful. Tons of great segments to this that you know from all kinds of movies, TV shows, and more. I’m not such a classical music enthusiast that I love everything I see (we saw 2 other show this year that were fine but not remarkable) but this… THIS is the bomb.

Other traditional albums I really dug this year in no particular order (aka, the rest of my regular top 10): Flaming Lips - Embryonic; A.C. Newman - Get Guilty; Andrew Bird - Noble Beast; Sonic Youth - The Eternal; Zombi - Spirit Animal; Wilco - Wilco (The Album); Phish - Joy; The Pains of Being Pure at Heart; Sparklehorse & Danger Mouse - Dark Night of the Soul

Rest In Peace, Vic Chesnutt

I'm sorry to break up what should be a series of happy posts about all the great music that came out this year. But Vic Chesnutt, a great singer and songwriter and one of my very favorite musicians, tragically died on Christmas Day.

It's not entirely clear what happened, but it sounds like a suicide. The guy had made previous attempts in the past, but it appears there hadn't been any in over a decade. What makes the timing of this news particularly upsetting is that he'd just released an album, At the Cut, where he directly addresses these suicide attempts in a song called "Flirted With You All My Life." The song treats suicide like a would-be lover with whom Chesnutt has had a series of near-misses. In the lyrics, he comes to the conclusion that for all of suicide's appeals, it isn't right for him...

When you touched a friend of mine I thought I would lose my mind

But I found out with time that really, I was not ready, no no, cold death

Oh death, I’m really not ready

But Chesnutt's death is not as simple as a routine suicide (as if there was such a thing). The other issue at hand is-- get ready-- America's totally Fucked Up health care system. The quick back-story is that for the past several years, Vic Chesnutt couldn't pay his obscenely scary hospital bills, and that this may have driven him over the edge. He'd been paralyzed at age 18 after a drunk driving accident, suffering from medical complications ever since. It recently had reached a point beyond anything he could control. From his obit:

However, Chesnutt had recently struggled with a lawsuit filed by a Georgia hospital after he racked up surgery bills totaling some $70,000, the Athens newspaper reported. He said he couldn't afford more than hospitalization insurance and couldn't keep up with the payments.

The problems baffled his Canadian bandmates, Chesnutt said.

"There's nowhere else in the world that I'd be facing the situation I'm in right now. They cannot understand what kind of society would inflict that on their population," he said. "It's terrifying."

This entire ordeal was documented on an episode of "Fresh Air" with Terri Gross that aired at the beginning of this very month. Vic talked about his medical bills, overcoming his suicidal depression and the new record. It's crazy that this all came to a head so soon after that interview was taped. Listen to the full episode if you get the chance. It's long but it's great radio, and it's so revealing in the wake of all this. (It also features Chesnutt's collaborator, Guy Picciotto, who is best known as the lead guitarist of Fugazi. All the more reason for a certain Drischord to love the album.)

To be succinct, this is really sad news. A huge loss for American folk music. I'd like to write more at a later date, but for now I'm going to re-post a track that I included in a blog entry a few months back. It's called "Aunt Avis", and it shows Vic Chesnutt at his most penetrating and haunting. Listen to this in a dark room on a good stereo and you'll shudder.



This is an insufficient tribute to a great musician and a casualty of our awful, awful healthcare system. The world is better for the 15 albums Vic Chesnutt gave it but worse off for being a place where people like him die way before their time.

Tex Plush's Favorite Albums of 2009

13. God Help The Girl
Belle and Sebastian's Stuart Murdoch has made an album with all female singers, fantastic vocal and string arrangements, and a slight musical theater bent. In addition to some great new songs, this album includes reimaginings of a couple tracks off of The Life Pursuit - a B&S album with fantastic songwriting that was fatally wounded by poor production values (I literally can't listen to TLP anymore because of the way the snare drum sounds). Thanks, Stuart, for saving this song in particular from the rubbish bin:

12. Grizzly Bear - Vecatamist
11. Volcano Choir - Unmap
Bon Iver teamed up with a noise/glitch rock outfit called A Collection of Colonies of Bees. This track is one of the most song-oriented tracks off the album - the rest is often formless and instrumental, but always beautiful and worth listening to while you stare out the window at the snow. Not for nothing, this album also proves to me that To Emma, Forever Ago wasn't a fluke, even if he does sound more and more like Chris Martin every time I hear him.

10. The xx - xx
Super hypnotic, late, late, late-night, indie rock booty call music. Don't laugh until you try it at 3am with your lady.

9. Rick Ross - Deeper Than Rap
My favorite rap album of the year. Solid front to back and smoove RnB hooks aplenty:

8. Them Crooked Vultures - S/T
7. Vetiver - Tight Knit
A more calming record did not exist for me this year. Here's one of the more upbeat tracks:

6. Yo La Tengo - Popular Songs
Yo La Tengo really does get better with age. I like their earlier albums for sure, but on their last two they've hit on a mixtape strategy that really plays to their strengths - every song sounds totally different from the last. It was hard to pick one song that represented the record because, well, NO song represents the entire record. From 15 minute long noise rock epics to motown love anthems, everything you want is here. And it is never redundant.

5. Fruit Bats - The Ruminant Band
4. Dinosaur Jr. - Farm
3. Phoenix - Wolfgang Amadeus Phoenix

2. Jim O'Rourke - The Visitor
Get it. Love it. It's all instrumental and a return to a semi-pop direction (even if the album is a single track), recorded in Jim's apartment in Japan with him playing all the instruments. It sounds amazing on vinyl. You should come over and listen to it.

1. Dirty Projectors - Bitte Orca
I don't know what else I can say about this band. They are quite simply the most innovative and exciting rock band making records today. If they remain on the trajectory of their last two albums, I would not be surprised to see them get as big as Radiohead or Wilco. I've always understood that an eccentric vocalist can sink a band for people - and Dirty Projectors certainly has one of those, even if Longstreth has all but eliminated the more divisive elements of his singing on their latest masterpiece. I also understand reticence to bow to the alter of hipster pretension. But go see these guys live while they're still playing rooms small enough for you to see fingers on the fretboards. You'll come away believing that these guys are the real deal, and humble enough to take what they're doing to the next stage. They can play the shit out of their instruments, and the singing must be seen to be believed. Bitte Orca is not perfect, but it comes close enough to be absolutely jaw-dropping. They don't make 'em like this anymore, kids.

For Your Consideration: Them Crooked Vultures

This is mostly for Via Chicago I suspect, but I am solidly in favor of the debut album from supergroup Them Crooked Vultures. Josh Homme, Dave Grohl and John Paul Jones. Come for the Zeppelin rehash, stay for the Queens of the Stone Age. I don't get sound on this computer, so let me know if these links don't work right.

For Your Consideration

I must entirely unironically call this my favorite video of the year.

Also, a topic for discussion: against all odds, will Christmas in the Heart turn out to be the best Bob Dylan release of 2009? The more I hear it (and I actually don't yet own it in its entirety) the more hypnotic it becomes.

Well, they're already at it

Looks like music list-making season is underway. Does it get earlier every year, like the just post-Halloween Christmas decorations at Macy's?

I'm afraid I'm going to have a hard time keeping up this year. I'm pretty sure I haven't heard even one of the albums on the AV Club's list all the way through.

You Know What Band I Take For Granted?

Tom Petty and the Heartbreakers. Listening to some of the songs on their new live anthology reminded me how impressed I was with them as Johnny Cash's backing band on American Recordings 2. And then it reminded me how I periodically get impressed with them again, and then forget about them, taking them for granted as just another stitch in the FM radio quilt of sound that has surrounded me for as long as I can remember.