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Maybe this is just because ever since college, (when I was a reluctant fan of The Marshall Mathers LP, despite my best efforts to be repulsed by it), I've been dreaming of what Eminem would sound like if he ever attempted to peel through the layers of posturing and bullshit and make a "mature" album. Anyone hoping 2010's Recovery would be that album will be disappointed, but I still personally find it to be kind of a fascinating mess.
"Fascinating" is not to be confused with "good". At best, this album is unbelievably erratic, and contains numerous moments that made me literally wince the first time I heard them (who is laughing at all the Michael J. Fox jokes? For your own good, Marshall, cut it the fuck out!)
Eminem sounds at war with himself on Recovery. On the best songs you hear a man struggling to achieve a new level of honesty, and to figure out what a more grown-up, reflective, and even repentant Eminem might sound like. And then on the very next song he's right back in the sewer, doing tired, lazy retreads of the kind of shock songs he used to....wait, did he just make another Michael J. Fox joke? It's not funny, it's just stupid! Even those knuckleheads who might have thought it was funny the first time don't want to keep hearing it. Stop it!!
Well, anyway, this obviously isn't a recommendation of this album, but for anybody who's ever been quietly rooting for Eminem to grow up and achieve something more profound, you might want to go to YouTube and listen to "Talkin' to Myself" or "Love the Way You Lie" or "Not Afraid" and keep on hoping. Or at the very least, listen to "No Love" on which Lil' Wayne rhymes "broken bottles" with "open Bibles," and hope that maybe that guy's best days could still be ahead of him as well.
Showing posts with label Eminem. Show all posts
Showing posts with label Eminem. Show all posts
Thursday, December 02, 2010
Wednesday, June 23, 2010
Hip Hop Hooray!
It's summer! And I finally have enough free time to be excited about new music again!
If you didn't already know, it's shaping up to be an great summer for hip hop:
To start with, The Roots just released a new album. I've only had a chance to listen to it a few times so far, but I definitely like it a lot. Maybe not as much as their last couple of albums...but then again, those two albums were both major growers, so I suspect that the true greatness of this new one may only gradually reveal itself.
Also, these guys are probably the only compelling reason to go see a Jimmy Fallon taping. They're really incredible in their role as house band, and when I went we were also treated to a pre-show performance of "The Seed 2.0".
And, Big Boi's new album is apparently actually for-reals coming out in a couple of weeks!! This may be the only album in a long time I'd describe myself as "eagerly anticipating", and there's every reason to hope that it's going to be very, very good.
Big Boi may just prove himself to be the underestimated Jeff Tweedy of the Outkast songwriting team.
I also have to say that from what I've heard of his stuff, that Drake kid actually appears to be pretty good. He's been mentored by Lil Wayne, raps about himself with the like-ability of Kanye West circa 2004, and is as Canadian as Neil Young! I haven't actually purchased any of his music...something about him makes me feel old. Maybe it's the fact that I've more than once had Drake lyrics shouted at me by defiant middle schoolers in Harlem, as if to say to me "this artist raps how I feel, and you couldn't understand, old man". But whether I actually end up trying to get into his album or not, you can't deny his talent. (Also, one could make an argument that Drake is greatly helping Kanye's 808's and Heartbreak production aesthetic seep further into the mainstream...which could be good or bad depending on your perspective.)
Hell, even Eminem appears to have released a solid new album! Now all we need is for Lil Wayne to give up on his dream of being a cross-over rock sensation. (Lupe Fiasco recently fared slightly better than Wayne, turning in a rap/rock song that's only mediocre. Maybe if Lupe were able to wed a radio-rock hook to his usual lyrical complexity, he could put something together that wasn't even half bad, but probably the New Moon soundtrack isn't the place to expect him to pull that off.)
Finally, on two not-entirely-related notes:
If you haven't seen it yet, check out this highly readable evisceration of M.I.A. by the New York Times.
Also, let me be the first to say on this blog: despite how much I'd like to resist this idea, Lady Gaga is addictively entertaining.
If you didn't already know, it's shaping up to be an great summer for hip hop:
To start with, The Roots just released a new album. I've only had a chance to listen to it a few times so far, but I definitely like it a lot. Maybe not as much as their last couple of albums...but then again, those two albums were both major growers, so I suspect that the true greatness of this new one may only gradually reveal itself.
Also, these guys are probably the only compelling reason to go see a Jimmy Fallon taping. They're really incredible in their role as house band, and when I went we were also treated to a pre-show performance of "The Seed 2.0".
And, Big Boi's new album is apparently actually for-reals coming out in a couple of weeks!! This may be the only album in a long time I'd describe myself as "eagerly anticipating", and there's every reason to hope that it's going to be very, very good.
Big Boi may just prove himself to be the underestimated Jeff Tweedy of the Outkast songwriting team.
I also have to say that from what I've heard of his stuff, that Drake kid actually appears to be pretty good. He's been mentored by Lil Wayne, raps about himself with the like-ability of Kanye West circa 2004, and is as Canadian as Neil Young! I haven't actually purchased any of his music...something about him makes me feel old. Maybe it's the fact that I've more than once had Drake lyrics shouted at me by defiant middle schoolers in Harlem, as if to say to me "this artist raps how I feel, and you couldn't understand, old man". But whether I actually end up trying to get into his album or not, you can't deny his talent. (Also, one could make an argument that Drake is greatly helping Kanye's 808's and Heartbreak production aesthetic seep further into the mainstream...which could be good or bad depending on your perspective.)
Hell, even Eminem appears to have released a solid new album! Now all we need is for Lil Wayne to give up on his dream of being a cross-over rock sensation. (Lupe Fiasco recently fared slightly better than Wayne, turning in a rap/rock song that's only mediocre. Maybe if Lupe were able to wed a radio-rock hook to his usual lyrical complexity, he could put something together that wasn't even half bad, but probably the New Moon soundtrack isn't the place to expect him to pull that off.)
Finally, on two not-entirely-related notes:
If you haven't seen it yet, check out this highly readable evisceration of M.I.A. by the New York Times.
Also, let me be the first to say on this blog: despite how much I'd like to resist this idea, Lady Gaga is addictively entertaining.
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