Texplush's Favorite Albums of 2010

11. Gonjasufi - A Sufi and a Killer
Backed by two of my new favorite producers, Gaslamp Killer and Flying Lotus, Gonjasufi sings twisted soul in the midst of dense and disorienting electronics.



10. Frightened Rabbit - Winter of Mixed Drinks
I guess there's nothing quite like a thick Scottish accent to make sadness feel authentic. These guys are going to make the young girls swoon if they keep writing songs like 'Swim Until You Can't See Land'. Driving rhythms, hooky melodies and eclectic arrangements overshadow the occasionally over-earnest lyric. FR feels like sipping whiskey in a warm chair by the fire.



9. Janelle Monae - The Arch Android
A protege of Big Boi, Janelle Monae's album is the most over-the-top and ambitious of the year. She attempts a slew of genres- and invents a few of her own in the process. Her voice is absolutely insane and she's short and adorable. Also my vote for best album cover of the year.



8. Kanye West - My Beautiful Dark Twisted Fantasy and the Good Friday tracks
With Kanye, the highs have always been stunningly high, and the lows have been embarrassingly low. That is still true with MBDTF, but songs like 'Power', 'All of the Lights', 'Monster' and 'Runaway' are the best of his career. I could do without the Chris Rock monologue, but Kanye makes up for the unlistenable stuff with almost another album's worth of great tracks for free on his website (the GOOD Friday tracks). Here's one of my favorites:



7. Deerhunter - Halycon Digest
I have always flirted with liking this band, but previous albums have been inconsistent and immature. Halycon Digest, on the other hand, slays on almost every track. Neil Young meets Sonic Youth, with absolutely killer production. A headphones masterpiece:



6. Vampire Weekend - Contra
I drank the Kool-Aid. Contra is a great album and such a leap forward in terms of production, with a lot of new colors for VW's pallate that surprise and complement their established sound. There are still some embarrassing lyrics here and there, but Contra proves that Vampire Weekend is in it to innovate. Here's one of my favorite tracks:



5. Field Music - Measure
Field Music's third album is an embarrassment of riches. Twenty songs and every single one is impeccably written, arranged, played and produced. A modern XTC with a hint of Big Star - I like to imagine if I was a math major and british, this was the music I'd make.



4. Sufjan Stevens - The Age of Adz
Just when I was on the verge of tiring of Sufjan and his ever-angelic anthems, this crucial work in the Stevens oeuvre appears, on the heels of the less impressive but still entertaining All Delighted People EP. The Age of Adz is not always a soothing listen - it's often dissonent and cacophonous - but it is nevertheless a welcome change of pace and a thrilling ride. This is a long player in the epic sense. As some have commented, the closing 20-minute track 'Impossible Soul' alone has more exciting musical ideas than most other albums that came out this year.



3. The Walkmen - Lisbon
This is their simplest record and most unified statement. Drawing inspiration from Sun Studios, the arrangements are spacious, warm and simple. Hamilton Leithauser croons like he's never crooned, the guitars chime with honeyed distortion and the Walkmen continue to sound like absolutely no one else. Lisbon is calming, invigorating, fresh and classic all at once. The money shot on this song comes at 2:28:



2. Big Boi - Sir Lucious Left Foot: The Son of Chico Dusty
The best hip top album of the year. Thick, southern, purple and funky. This track says it all:



1. Flying Lotus - Cosmogramma
This year, I fell in love with LA's beat scene, of which Flying Lotus is sort of the godfather. Conceived as a 'Space Opera', Cosmogramma feels to me what I imagine it must have felt like to hear jazz for the first time. It has served as quite the gateway drug, introducing me to Gaslamp Killer, Teebs, Shlohmo, The Take, Baths and more. Total eargasm.



Honorable Mention:
Sharon Jones and The Dap-Kings
Aloe Blacc
Spoon
Gorrilaz
MGMT
New Pornographers
Maps and Atlases
Mark Ronson
The Soft Pack
The Roots
Sleigh Bells
LCD Soundsystem
Mount Kimbie

Favorite Songs:
Swim Until You Can't See Land - Frightened Rabbit
Shadow People - Dr. Dog
Rill RIll - Sleigh Bells
When The World Comes To An End - Dirty Projectors
Shutterbug - Big Boi
Tightrope - Janelle Monae
Power - Kanye West
Coronado - Deerhunter
Norway - Beach House

Via Chicago's Top 10 (+1) of 2008

I know the general critical opinion is that this was a weaker year for music, and while I don’t disagree, it was a year I really enjoyed. Between this blog and my eMusic, I ended up listening to a lot of new music, and for the first time in a few years actually felt clued in to what the hip kids were listening to. Of course, that said, my top 3 from last year all would have faired mighty well this year, so maybe it wasn’t the strongest, but there was a lot to love in 2008. Namely…

10. (tie) Dr. Dog - Fate
Lame to have a tie, but I just couldn’t bear to leave either of these off my list. I was actually all set to have this fall off and be #11, but Tex posting that clip reminded me that a) this album is awesome, and b) I think these guys are making a really unique sound in today’s music scene and I love it. These guys play their hearts out with emotion – I’m totally with Tex that they have the potential to be seriously great.

10. (tie) – Marnie Stern – This Is It...I already summed up some of my thoughts on her, but she makes a truly jaw dropping wall of sound that is just insanely powerful – almost too powerful as the album is hard to listen to as a whole. But in a year that I explored a lot of feedback, fuzz, and crazy guitar, this was the highlight.

9. Mike Patton – A Perfect Place
Patton is hit and miss, and that sloppiness is a huge part of his charm to me. Here, he hits in a big way with a very concise, tight collection of moody pieces. Some are songs, some are just movie ambience, but it all comes together tightly. I also love the way he creates a nice, simple musical theme, and then toys with it throughout the album with different instrumentation, moods, etc.

8. Kanye West – 808s & Heartbreak
I have little else to say, except that I think time will be kind to this album, and that is what sets it apart from your T-Pains of the world.

7. Dosh – Wolves and Wishes
As I mentioned before, I wasn’t so into this album when it first came out, despite Tex’s recommendation. But seeing him live really made the sounds pop for me and made it all come clear. Like all noise rock, this is not brilliant from top to bottom, but the great moments that come through (“Wolves” in particular) really shine.

6. Wolf Parade – At Mount Zoomer
Full of great, BIG sounds, and ending with a 10 minute song where the yell “Fire in the hole!” repeatedly. Yeah, that sounds like something I would indeed like…

5. Vampire Weekend – Vampire Weekend
I went through an odd trajectory with this album. First time I heard one of their songs, I hated it. Then I discovered it was lodged in my head and I wanted to hear it again, so I bought the album and listened to it non-stop in early summer. Then I stopped and had no interest in listening again. But I picked it up again to re-evaluate for this list and screw it, this thing is great. What really strikes me is the great sense of urgency on this album. For an allegedly laid back album, the pace is remarkably fast and almost punkish, made all the better by the unbelievably tight playing. Will they have longevity? Maybe not, but I bet they’ll have more than Fleet Foxes.

4. Bonnie Prince Billy – Lie Down in the Light
So, so good, and better every single time I listen. At first listen this got an OK for me, but then I kind of ignored it. Picked it back up and thought “Oh this will probably make my top 10” and with every listen it moves farther up. Who knows – if I revisit this list in a year I might say “Why on earth didn’t I make that my #1?”

3. Deerhunter – Microcastle/Weird Era Cont.
I’m just counting these as one album because (aside from being sold as one) they make such a complete package. With Microcastle they really invest more in exploring actual songs with actual rocking out, with the album (and their career so far) reaching an epic peak on “Nothing Ever Happens”. Then Weird Era is this sort of long form extended coda where they just embrace the shoegazing noise rock and let the mood wash over them. Beautiful stuff.

2. Stephen Malkmus & The Jicks – Real Emotional Trash
For the majority of the year this was my #1 and it’s getting totally overlooked and screwed in year end lists. Did it just come out too early? Prior to this one, all the Malkmus solo stuff made me say “Man Pavement was awesome”, but this one stands on its own. I love the way they push into these crazy almost, dare I say, prog rock song structures. Both “Hopsctoch Willie” and “Baltimore” and standouts, but the real highlight is “Real Emotional Trash” – when the big guitar vamp finally bursts through it’s just a sublime moment of genius.

1. Guns ‘n Roses – Chinese Democracy
I was a little hesitant about making this my #1 for some reason, but it’s the album I most looked forward to this year, it completely delivered, and it is, to me, the definitive album of 2008. What more do you need? How about ridiculously awesome hooks, massive guitar solos, huge ballads, Axl Rose lunacy… this sucker has it all. As we’ve been discussing the Max v. Min theories, this is pretty clearly one of the most maximum albums of all time. Like Use Your Illusion, it reaches for the stars in a way no single other album did this year, and while it occasionally falls short, that ambition combined with the number of times it hits its goals make this my clear cut #1.

My goodness, all of a sudden I feel very thirsty!

Back to the Music...

So, now that we can all relax a bit and breath a sigh of relief, I for one am eager to return to some sort of normalcy, where not every conversation is dominated by political talk. And so...

How about that new Deerhunter album? Anyone here like these guys and heard this yet? Seems like the kind of thing some folks around here would appreciate. I actually never got their first disc, and picked this up on somewhat of a whim, but holy crap is it great.

The first disc (which I guess is the "real" album) is quite good, although it gets a tiny but bogged down in the ambient middle section. That section is more than made up for by "Nothing Ever Happened" which is all kinds of great. Here's a live version that some of you may have seen at that Pool Party thing in Brooklyn this summer.



But the second album is really where it's at. They really embrace their inner-My Bloody Valentine here and it is glorious. Were it not for the fact that MBV are back together, I'd say thsi is the closest thing to a stylistic follow up to Loveless.

So yeah, maybe I'll be alone here, and maybe part of you are part of the weird Deerhunter backlash community, but I LOVE this album.